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"About suffering they were never wrong,"




" About suffering they were never wrong, "

 

 

About suffering they were never wrong,

The Old Masters; how well, they understood

Its human position; how it takes place

While someone else is eating or opening a window or just

walking dully along;

How, when the aged are reverently, passionately waiting

For the miraculous birth, there always must be

Children who did not specially want it to happen, skating

On a pond at the edge of the wood:

They never forgot

That even the dreadful martyrdom must run its course

Anyhow in a corner, some untidy spot

Where the dogs go on with their doggy life and the

torturer's horse

Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how

everything turns away

Quite leisurely from the disaster; the ploughman

may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the

sun shone

As it had to on the white legs disappearing into

the green

Water; and the expensive delicate ship that must

have seen

Something amazing, a boy falling out of the sky,

had somewhere to get to and sailed calmly on.

 

 

ARCHAEOLOGY

 

 

The archaeologist's spade

delves into dwellings

vacancied long ago,

 

unearthing evidence

of life-ways no one

would dream of leading now,

 

concerning which he has not much

to say that he can prove:

the lucky man!

 

Knowledge may have its purposes,

but guessing is always

more fun than knowing.

 

We do know that Man,

from fear or affection,

has always graved His dead.

 

What disastered a city,

volcanic effusion,

fluvial outrage,

 

or a human horde,

agog for slaves and glory,

is visually patent,

 

and we're pretty sure that,

as soon as palaces were built,

their rulers

 

though gluttoned on sex

and blanded by flattery,

must often have yawned.

 

But do grain-pits signify

a year of famine?

Where a coin-series

 

peters out, should we infer

some major catastrophe?

Maybe. Maybe.

 

From murals and statues

we get a glimpse of what

the Old Ones bowed down to,

 

but cannot conceit

in what situations they blushed

or shrugged their shoulders.

 

Poets have learned us their myths,

but just how did They take them?

That's a stumper.

 

When Norsemen heard thunder,

did they seriously believe

Thor was hammering?

 

No, I'd say: I'd swear

that men have always lounged in myths

as Tall Stories,

 

that their real earnest

has been to grant excuses

for ritual actions.

 

Only in rites

can we renounce our oddities

and be truly entired.

 

Not that all rites

should be equally fonded:

some are abominable.

 

There's nothing the Crucified

would like less

than butchery to appease Him.

 

 

ROMAN WALL BLUES

 

 

Over the heather the wet wind blows,

I've lice in my tunic and a cold in my nose.

 

The rain comes pattering out of the sky,

I'm a Wall soldier, I don't know why.

 

The mist creeps over the hard grey stone,

My girl's in Tungria; I sleep alone.

 

Aulus goes hanging around her place,

I don't like his manners, I don't like his face.

 

Piso's a Christian, he worships a fish;

There'd be no kissing if he had his wish.

 

She gave me a ring but I diced it away;

I want my girl and I want my pay.

 

When I'm a veteran with only one eye

I shall do nothing but look at the sky.

 

 

October 1937

 

 

EPITAPH ON A TYRANT

 

 

Perfection, of a kind, was what he was after,

And the poetry he invented was easy to understand;

He knew human folly like the back of his hand,

And was greatly interested in armies and fleets;

When he laughed, respectable senators burst with laughter,

And when he cried the little children died in the streets. [259]

 

 

January 1939

 

 

REFUGEE BLUES

 

 

Say this city has ten million souls,

Some are living in mansions, some are living in holes:

Yet there's no place for us, my dear, yet there's no place for us.

 

Once we had a country and we thought it fair,

Look in the atlas and you'll find it there:

We cannot go there now, my dear, we cannot go there now.

 

In the village churchyard there grows an old yew,

Every spring it blossoms anew:

Old passports can't do that, my dear, old passports can't do that.

 

The consul banged the table and said,

" If you've got no passport you're officially dead":

But we are still alive, my dear, but we are still alive.

 

Went to a committee; they offered me a chair;

Asked me politely to return next year:

But where shall we go to-day, my dear, but where shall we go to-day?

 

Came to a public meeting; the speaker got up and said;

" If we let them in, they will steal our daily bread":

He was talking of you and me, my dear, he was talking of you and me.

 

Thought I heard the thunder rumbling in the sky;

It was Hitler over Europe, saying, " They must die":

O we were in his mind, my dear, O we were in his mind.

 

Saw a poodle in a jacket fastened with a pin,

Saw a door opened and a cat let in:

But they weren't German Jews, my dear, but they weren't German Jews.

 

Went down the harbour and stood upon the quay,

Saw the fish swimming as if they were free:

Only ten feet away, my dear, only ten feet away.

 

Walked through a wood, saw the birds in the trees;

They had no politicians and sang at their ease:

They weren't the human race, my dear, they weren't the human race.

 

Dreamed I saw a building with a thousand floors,

A thousand windows and a thousand doors:

Not one of them was ours, my dear, not one of them was ours.

 

Stood on a great plain in the falling snow;

Ten thousand soldiers marched to and fro:

Looking for you and me, my dear, looking for you and me.

 

 

March 1939

 

 

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