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It's No Use Raising a Shout. "Carry Her Over The Water". THE TRAVELLER. "Out of it steps the future of the poor,"




It's No Use Raising a Shout

 

 

It's no use raising a shout.

No, Honey, you can cut that right out.

I don't want any more hugs;

Make me some fresh tea, fetch me some rugs.

Here am I, here are you:

But what does it mean? What are we going to do?

 

A long time ago I told my mother

I was leaving home to find another:

I never answered her letter

But I never found a better.

Here am I, here are you:

But what does it mean? What are we going to do?

 

It wasn't always like this?

Perhaps it wasn't, but it is.

Put the car away; when life fails,

What the good of going to Wales?

Here am I, here are you:

But what does it mean? What are we going to do?

 

In my spine there was a base,

And I knew the general's face:

But they've severed all the wires,

And I can't tell what the general desires.

Here am I, here are you:

But what does it mean? What are we going to do?

 

In my veins there is a wish,

And a memory of fish:

When I lie crying on the floor,

It says, " You've often done this before. "

Here am I, here are you:

But what does it mean? What are we going to do?

 

A bird used to visit this shore:

It isn't going to come any more.

I've come a very long way to prove

No land, no water, and no love.

Here am I, here are you.

But what does it mean? What are we going to do?

 

 

" Carry Her Over The Water"

 

 

Carry her over the water,

And set her down under the tree,

Where the culvers white all day and all night,

And the winds from every quarter,

Sing agreeably, agreeably, agreeably of love.

 

Put a gold ring on her finger,

And press her close to your heart,

While the fish in the lake snapshots take,

And the frog, that sanguine singer,

Sing agreeably, agreeably, agreeably of love.

 

The streets shal flock to your marriage,

The houses turn round to look,

The tables and chairs say suitable prayers,

And the horses drawing your carriage

Sing agreeably, agreeably, agreeably of love.

 

 

1939?

 

 

THE TRAVELLER

 

 

No window in his suburb lights that bedroom where

A little fever heard large afternoons at play:

His meadows multiply: that mill, though is not there

Which went on grinding at the back of love all day.

Nor all his weeping ways through weary wastes have found

The Castle where his Greater Hallows are interned:

For broken bridges halt him, and dark thickets round

Some ruin where an evil heritage was burned.

Could he forget a child's ambition to be old

And institutions where he learned to wash and lie'

He'd tell the truth for which he thinks himself too young,

That everywhere on the horizon of his sigh

Is now, as always, only waiting to be told

To be his father's house and speak his mother's tongue.

 

 

" Out of it steps the future of the poor, "

 

 

Out of it steps the future of the poor,

Enigmas, executioners and rules,

Her Majesty in a bad temper or

The red-nosed Fool who makes a fool of fools.

Great persons eye it in the twilight for

A past it might so carelessly let in,

A widow with a missionary grin,

The foaming inundation at a roar.

We pile our all against it when afraid,

And beat upon its panels when we die:

By happening to be open once, it made

Enormous Alice see a wonderland

That waited for her in the sunshine, and,

Simply by being tiny made her cry.

 

 

Lullaby

 

 

Lay your sleeping head, my love,

Human on my faithless arm;

Time and fevers burn away

Individual beauty from

Thoughtful children, and the grave

Proves the child ephermeral:

But in my arms till break of day

Let the living creature lie,

Mortal, guilty, but to me

The entirely beautiful.

 

Soul and body have no bounds:

To lovers as they lie upon

Her tolerant enchanted slope

In their ordinary swoon,

Grave the vision Venus sends

Of supernatural sympathy,

Universal love and hope;

While an abstract insight wakes

Among the glaciers and the rocks

The hermit's sensual ecstasy.

 

Certainty, fidelity

On the stroke of midnight pass

Like vibrations of a bell,

And fashionable madmen raise

Their pedantic boring cry:

Every farthing of the cost,

All the dreadful cards foretell,

Shall be paid, but not from this night

Not a whisper, not a thought,

Not a kiss nor look be lost.

 

Beauty, midnight, vision dies:

Let the winds of dawn that blow

Softly round your dreaming head

Such a day of sweetness show

Eye and knocking heart may bless.

Find the mortal world enough;

Noons of dryness see you fed

By the involuntary powers,

Nights of insult let you pass

Watched by every human love.

 

 

O What Is That Sound

 

 

O what is that sound which so thrills the ear

Down inthe valley drumming, drumming?

Only the scarlet soldiers, dear,

The soldiers coming.

 

O what is that light I see flashing so clear

Over the distance brightly, brightly?

Only the sun on their weapons, dear,

As they step lightly.

 

O what are they doing with all that gear

What are they doing this morning, this morning?

Only the usual manoeuvres, dear,

Or perhaps a warning.

 

O why have they left the road down there

Why are they suddenly wheeling, wheeling?

Perhaps a change in the orders, dear,

Why are you kneeling?

 

O haven't they stopped for the doctor's care

Haven't they reined their horses, their horses?

Why, they are none of them wounded, dear,

None of these forces.

 

O is it the parson they want with white hair;

Is it the parson, is it, is it?

No, they are passing his gateway, dear,

Without a visit.

 

O it must be the farmer who lives so near

It must be the farmer so cunning, so cunning?

They have passed the farm already, dear,

And now they are running.

 

O where are you going? stay with me here!

Were the vows you swore me deceiving, deceiving?

No, I promised to love you, dear,

But I must be leaving.

 

O it's broken the lock and splintered the door,

O it's the gate where they're turning, turning

Their feet are heavy on the floor

And their eyes are burning.

 

 

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