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Their Lonely Betters. Shorts. Uncle Henry. Adolescence. Are You There?




Their Lonely Betters

 

 

As I listened from a beach-chair in the shade

To all the noises that my garden made,

It seemed to me only proper that words

Should be withheld from vegetables and birds.

 

A robin with no Christian name ran through

The Robin-Anthem which was all it knew,

And rustling flowers for some third party waited

To say which pairs, if any, should get mated.

 

Not one of them was capable of lying,

There was not one which knew that it was dying

Or could have with a rhythm or a rhyme

Assumed responsibility for time.

 

Let them leave language to their lonely betters

Who count some days and long for certain letters;

We, too, make noises when we laugh or weep:

Words are for those with promises to keep.

 

 

Shorts

 

 

Pick a quarrel, go to war,

Leave the hero in the bar;

Hunt the lion, climb the peak:

No one guesses you are weak.

 

The friends of the born nurse

Are always getting worse.

 

I'm beginning to lose patience

With my personal relations:

They are not deep,

And they are not cheap.

 

I'm for freedom because I mistrust the Censor in office,

But if I held the job, my! how severe I should be!

 

When he is well

She gives him hell;

But she's a brick

When he is sick.

 

Those who will not reason

Perish in the act;

Those who will not act

Perish for that reason.

 

Let us honor if we can

The vertical man,

Though we value none

But the horizontal one.

 

Private faces

In public places

Are wiser and nicer

Than public faces

In private places.

 

The conversation of birds

Say very little,

But mean a great deal.

 

Among the mammals

Only Man has ears

That can display no emotion.

 

In moments of joy

All of us wish we possessed

A tail we could wag.

 

The shame in ageing

is not that Desire should fail

(Who mourns for something

he no longer needs? ): it is

That someone else must be told.

 

The tyrant's device:

Whatever is Posiible

Is Necessary.

 

Passing Beauty

still delights him,

but he no longer

has to turn round.

 

Does God ever judge us

by appearances?

I suspect that He does.

 

Today two poems begged to be written: I had to refuse them.

Sorry, no longer, my dear! Sorry, my precious, not yet!

 

Only look in the mirror to detect a removable blamish,

As of the permanent ones already you know quite enough.

 

God never makes knots,

But is expert, if asked to,

At untying them.

 

A poet's hope: to be,

Like some valley cheese,

Local, but prized elsewhere.

 

 

WORDS

 

 

A sentence uttered makes a world appear

Where all things happen as it says they do;

We doubt the speaker, not the tongue we hear:

Words have no word for words that are not true.

 

Syntactically, though, it must be clear;

One cannot change the subject half-way through,

Nor alter tenses to appease the ear:

Arcadian tales are hard-luck stories too.

 

But should we want to gossip all the time,

Were fact not fiction for us at its best,

Or find a charm in syllables that rhyme,

 

Were not our fate by verbal chance expressed,

As rustics in a ring-dance pantomime

The Knight at some lone cross-roads of his quest?

 

 

Uncle Henry

 

 

When the Flyin’ Scot [260]

fills for shootin’, I go southward,

wisin’ after coffee, leavin’

Lady Starkie.

 

Weady for some fun,

visit yearly Wome, Damascus,

in Mowocco look for fwesh a —

— musin’ places.

 

Where I’ll find a fwend,

don’t you know, a charmin’ creature,

like a Gweek God and devoted:

how delicious!

 

All they have they bwing,

Abdul, Nino, Manfwed, Kosta:

here’s to women for they bear such

lovely kiddies!

 

 

Adolescence

 

" He maketh me to lie down in green pastures; He leadeth me beside the still waters. "

(King James Bible, Psalms 23: 2) [261]

 

 

By landscape reminded once of his mother's figure

The mountain heights he remembers get bigger and bigger

With the finest of mapping pens he fondly traces

All the family names on the familiar places.

 

In a green pasture straying, he walks by still waters;

Surely a swan he seems to earth's unwise daughters,

Bending a beautiful head, worshipping not lying,

'Dear' the dear beak in the dear concha crying.

 

Under the trees the summer bands were playing;

'Dear boy, be brave as these roots', he heard them saying:

Carries the good news gladly to a world in danger,

Is ready to argue, he smiles, with any stranger.

 

And yet this prophet, homing the day is ended,

Receives odd welcome from the country he so defended:

The band roars 'Coward, Coward', in his human fever,

The giantess shuffles near, cries 'Deceiver'.

 

 

Are You There?

 

 

Each lover has some theory of his own

About the difference between the ache

Of being with his love, and being alone:

 

Why what, when dreaming, is dear flesh and bone

That really stirs the senses, when awake,

Appears a simulacrum of his own.

 

Narcissus disbelieves in the unknown;

He cannot join his image in the lake

So long as he assumes he is alone.

 

The child, the waterfall, the fire, the stone,

Are always up to mischief, though, and take

The universe for granted as their own.

 

The elderly, like Proust, are always prone

To think of love as a subjective fake;

The more they love, the more they feel alone.

 

Whatever view we hold, it must be shown

Why every lover has a wish to make

Some kind of otherness his own:

Perhaps, in fact, we never are alone.

 

 

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