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Fish in the Unruffled Lakes. Autumn Song. Death's Echo. Musée des Beaux Arts




Fish in the Unruffled Lakes

 

 

Fish in the unruffled lakes

Their swarming colours wear,

Swans in the winter air

A white perfection have,

And the great lion walks

Through his innocent grove;

Lion, fish and swan

Act, and are gone

Upon Time's toppling wave.

 

We, till shadowed days are done,

We must weep and sing

Duty's conscious wrong,

The Devil in the clock,

The goodness carefully worn

For atonement or for luck;

We must lose our loves,

On each beast and bird that moves

Turn an envious look.

 

Sighs for folly done and said

Twist our narrow days,

But I must bless, I must praise

That you, my swan, who have

All gifts that to the swan

Impulsive Nature gave,

The majesty and pride,

Last night should add

Your voluntary love.

 

 

 

 

Autumn Song

 

 

Now the leaves are falling fast,

Nurse's flowers will not last;

Nurses to the graves are gone,

And the prams go rolling on.

 

Whispering neighbours, left and right,

Pluck us from the real delight;

And the active hands must freeze

Lonely on the separate knees.

 

Dead in hundreds at the back

Follow wooden in our track,

Arms raised stiffly to reprove

In false attitudes of love.

 

Starving through the leafless wood

Trolls run scolding for their food;

And the nightingale is dumb,

And the angel will not come.

 

Cold, impossible, ahead

Lifts the mountain's lovely head

Whose white waterfall could bless

Travellers in their last distress.

 

 

 

 

Death's Echo

 

 

" O who can ever gaze his fill, "

Farmer and fisherman say,

" On native shore and local hill,

Grudge aching limb or callus on the hand?

Father, grandfather stood upon this land,

And here the pilgrims from our loins will stand. "

So farmer and fisherman say

In their fortunate hey-day:

But Death's low answer drifts across

Empty catch or harvest loss

Or an unlucky May.

The earth is an oyster with nothing inside it,

Not to be born is the best for man;

The end of toil is a bailiff's order,

Throw down the mattock and dance while you can.

 

" O life's too short for friends who share, "

Travellers think in their hearts,

" The city's common bed, the air,

The mountain bivouac and the bathing beach,

Where incidents draw every day from each

Memorable gesture and witty speech. "

So travellers think in their hearts,

Till malice or circumstance parts

Them from their constant humour:

And slyly Death's coercive rumour

In that moment starts.

A friend is the old old tale of Narcissus,

Not to be born is the best for man;

An active partner in something disgraceful,

Change your partner, dance while you can.

 

" O stretch your hands across the sea, "

The impassioned lover cries,

" Stretch them towards your harm and me.

Our grass is green, and sensual our brief bed,

The stream sings at its foot, and at its head

The mild and vegetarian beasts are fed. "

So the impassioned lover cries

Till the storm of pleasure dies:

From the bedpost and the rocks

Death's enticing echo mocks,

And his voice replies.

The greater the love, the more false to its object,

Not to be born is the best for man;

After the kiss comes the impulse to throttle,

Break the embraces, dance while you can.

 

" I see the guilty world forgiven, "

Dreamer and drunkard sing,

" The ladders let down out of heaven,

The laurel springing from the martyr's blood,

The children skipping where the weeper stood,

The lovers natural and the beasts all good. "

So dreamer and drunkard sing

Till day their sobriety bring:

Parrotwise with Death's reply

From whelping fear and nesting lie,

Woods and their echoes ring.

The desires of the heart are as crooked as corkscrews,

Not to be born is the best for man;

The second-best is a formal order,

The dance's pattern; dance while you can.

 

Dance, dancefor the figure is easy,

The tune is catching and will not stop;

Dance till the stars come down from the rafters;

Dance, dance, dance till you drop.

 

 

 

 

Mus& #233; e des Beaux Arts

 

 

About suffering they were never wrong,

The Old Masters: how well they understood

Its human position; how it takes place

While someone else is eating or opening a window or just walking dully

along;

How, when the aged are reverently, passionately waiting

For the miraculous birth, there always must be

Children who did not specially want it to happen, skating

On a pond at the edge of the wood:

They never forgot

That even the dreadful martyrdom must run its course

Anyhow in a corner, some untidy spot

Where the dogs go on with their doggy life and the torturer's horse

Scratches its innocent behind on a tree.

 

In Brueghel's Icarus, for instance: how everything turns away

Quite leisurely from the disaster; the ploughman may

Have heard the splash, the forsaken cry,

But for him it was not an important failure; the sun shone

As it had to on the white legs disappearing into the green

Water; and the expensive delicate ship that must have seen

Something amazing, a boy falling out of the sky,

Had somewhere to get to and sailed calmly on.

 

 

 

 

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