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Traveling leaps, turning leaps. Dance imagery




Index


Active imagination.

Adagio, 22- See alA' Extensk»ns

ADE See American

62 for pirouettes and turns.

Alekn (dance),

Ali. Mohammed. 225

Alignment. ZL74. 75. 114. 115-116. adjustments to, in dé veloppé, imagery Of, 177. in Ñ mping. 176—177 during lifts, 1. 92 during pirouettsand turns. 152-155. 159-163 in plié, in tendus and

Alvin Ailey Anwrican Dance Theater. £ 21. 5

American Dance         (APB, 246

Arrwrican Indian      Theater. Anatomy. imagery of, 71 231

Anderson, Jack. L 45 210 '140IS

Anin•: An Anatomy of a (Hillman), Animals, IL 151. EL water animals. 40.

An. la& ian Spring

IL_L I ltÞ 119

Arches, 123-12B Archetypes,

Architecture. imagery in.

gestures.                     209 in loping. 183. 185-187 in pirouettes and turns. 1. 2152-136. 158—a role reversal With legs, Art. viii. visual,

Art Ensemble of Chicago.

Asian dance forms, 20-21

Astaire. Fred. 2. 14 Attitude, L

Aurobindo. Sri.

 

Axial plié,

Axis. See Central axis

Balance.

            in pirouettes and turns.                     IQ-L

53. 163

Balanchine, George, dance,

June, 68.

             Ball(s). imagery of. xii-xiii.                                 10-184,

Ballet.                   144.                                 Ser also individual psttions                                    technques

imagery organs as. L in constructive rest 242 in contact

Barre. exercises at the. Se Extensions; Jeté; Ptié Bartenieff. Irrngard.

Baryshnikov. Mikhail.

Basic movement imagery, xi-xiv. A-IS

Bass Theater, in Austin. Texas,

Battement en avant. 1. 21

Battement fondu,

         Battement                 100-1 (V

        Battement tendu jet: é (dé gagé ),               119. Ser   'eté

Battenwt. t tendu simple, 22 Bausch, Pitta. 19-20

Ekals. Margy. vi-v•ii.

Beam, imagery of. 146.

Beatty. Tally, Berghof, Herbert. 246 Ekrnard. Andre, vi. Ikrry Brothers,

        Birds,        6. 1

Birth Of a

Blind children,

1. 2            human,                                245. Ser Upper Exxiy; Whole

awareness. xi. cells. 52-53 center of. 110. 1m See also Center of gravity distributicm of mass during jumps. energy, connections thrmrgh. I organs. 157-158 in exercises, surface, z                                           52 human, imagery of, as bow and arrow. 125 as spinning top, 155-157

            Ikxiy form/                           IL 183-184


Dance Imagery

for-Techní que and er ormance

" This book provides dancers the necessary tools for greater richness in physical technique and expression. "

Stoner

                                                 Dancer Chareoqrapner_            teacher.             York City

" Franklin provides a resource for renewal—a companion master teacher at your fingertips. "

June Bal'Sh

                                     Dancer New City

" Franklin draws from the inner world of imagined expenence to help dancers teet movement from the depths Ot their being and release their full potential. "

Author The ['ance Potential

•Dancers, teachers. and choreographers will tind themselves using this book over and over again. Howaro

                                               Director David HowarC Sc. nool ot                     New York City

This versatile text and reference provides 583 imagery exercises designed to improve dance technique. artistic expression. and performance.

With Dance Imagery for Technique and Performance, you'll

• explore imagery through 195 improvisational exercises designed to create and communicate different movements;

• find 314 imagery exercises you can apply during dance class to improve technique;

• learn how to use imagery to convey information about Steps and to Clarify the intent and content of a movement; and

• 34 imagery exercises to restore and regenerate the body through massage,


touch, and stretching.

ISBN 0-87322-943-6

Human Kinetics                                          

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